Monday, November 19, 2018

Tuesday, November 20. 2018

Today's schedule is CDAB

D & A Blocks Human Geography - So, to help you with yesterday's key question "Why Do Territorial Conflicts Arise Among Religious Groups"? Even though almost all religions preach a doctrine of peace and love, religion has been at the center of conflicts throughout history. Conflict is horribly complex and cannot be easily bundled up in a simple explanation of "land" or "culture" or  "resources" or "religion", so keep this in mind when trying to answer this week's Big Thinking Question:

Explain why religious conflicts occur. Is it only that religious ideologies disagree, or is geography involved? How do you think religious conflicts can be resolved? 

Use the following to help:


Today we'll look at the key question Where Are Ethnicities Distributed? With this we'll examine this question both in a Canadian and an American context (as the text is American we will supplement it and add Canada to the conversation). The meaning of ethnicity is often confused with the definition of race and nationality. Ethnicity is identity with a group of people who share cultural traditions of a particular homeland or hearth. In Canada more than 200 ethnic origins were reported by respondents to the 2011 National Household Survey, 57.9% of the population reported one ethnic origin and the rest, 42.1%, reported more than one origin. In the 2016 Census, over 250 ethnic origins or ancestries were reported by the Canadian population. Who are they and where are they distributed across Canada are what we'll look at today.

Vancouver Sun: Almost 7 in 10 Metro residents will be non-white in two decades
Ethnic and cultural origins of Canadians: Portrait of a rich heritage
CBC News 21.9% of Canadians are immigrants, the highest share in 85 years
CTV News Latest census numbers showcase Canada's ever-evolving ethnic diversity

Open Text BC Introduction to Sociology text "Race and Ethnicity" chapter


B Block Criminology - First we'll start with a quick discussion about yesterday's blog questions on Scooby Doo. As you know, Scooby Doo is a long-running animated television series produced by Hanna-Barbera Productions (and now Cartoon Network Studios) from 1969 to 1991 and 2002 to present highlighting the hi jinx of Scooby-Doo and four teenagers: Fred "Freddie" Jones, Daphne Blake, Velma Dinkley, and Norville "Shaggy" Rogers. These five drive around the world in a van called the "Mystery Machine," and solve mysteries typically involving tales of ghosts and other supernatural forces. At the end of each episode, the supernatural forces turn out to have a rational explanation (usually a criminal of some sort attempting to scare people away so that he/she could commit crimes). So after watching a couple of episodes yesterday I asked you:
  1. What assumptions or beliefs do Scooby Doo’s creators have that are reflected in the content?
  2. How does this make you feel, based on how similar or different you are from the people portrayed in the media product?
  3. How does the commercial purpose (it's made for a profit right?) of Scooby Doo cartoons influence the content and how it's communicated?
  4. Who and what is shown in a positive light? In a negative light? Why might these people and things be shown this way?
  5. Who and what is not shown at all? What conclusions might audiences draw based on these facts?
  6.  "How does Scooby Doo explain crime and gender roles to young people"?
Now Scooby Doo Mystery Inc. shattered the Scooby Doo world so to speak.  In the traditional Scooby Doo world every time Scoob and the gang discover a mummy or a ghost, off comes the mask and it’s merely the janitor, shaking his head at those meddling kids. In Mystery Inc. Charlie the Haunted Robot is actually a haunted robot when the gang unmask him and a race of alien creatures called the Anunnaki, who travel to Earth every 1,000 years from another dimension and inhabit the bodies of animals as well. Gone was innocence, replaced with shock value and the single episode solve the mystery plot line was replaced with an overarching plot story which took multiple episodes to unravel. So whaddya think about Scooby Doo and the questions?

After, you'll have time to complete the questions from the Corporation and from Friday's Social Order Crime work

There is a very good article in Foreign Policy magazine that explains the impact of the Mexican cartels on the USA... From the magazine
This past February Chicago declared Sinaloa cartel leader Joaquín "El Chapo" Guzmán its first "Public Enemy No. 1" since Al Capone. "While Chicago is 1,500 miles from Mexico, the Sinaloa drug cartel is so deeply embedded in the city that local and federal law enforcement are forced to operate as if they are on the border," Jack Riley, the head of the Drug Enforcement Administration's Chicago office, told CNN.

The infiltration of the Windy City shows the extent to which Mexican drug syndicates have made inroads in the United States -- the Associated Press and others have reported that cartel cells are operating in Atlanta, Ga., Louisville, Ky., Columbus, Ohio, and rural North Carolina. In fact, according to an excellent National Post infographic based on data from a U.S. Justice Department report and other sources, it's much easier to list states that don't have a drug trade tied to Mexican gangs. There are only twelve that haven't reported the presence of one of four Mexican cartels since 2008: Alabama, Alaska, Connecticut, Hawaii, Idaho, Maine, Montana, North Dakota, Utah, Vermont, WestVirginia, and Wisconsin. The Mexican drug trade is everywhere else.

Detected cartel operations range from traditional drug-running to using a horse ranch as a front for laundering drug money, as one group did in Oklahoma. The Sinaloa cartel, which has emerged as Mexico's dominant syndicate, has carved out new territory in the United States by controlling 80 percent of its meth trade (Mexican cartels have come to dominate the U.S. market by aggressively bumping up the purity of their meth while dropping the price per gram). All told, Mexican cartels reside in 1,200 American communities as of 2011, up from 230 in 2008, according to the Associated Press.

Another great article for the magazine states...
Drugs are just the tip of the iceberg. In the popular U.S. television series Breaking Bad, about a high school teacher turned methamphetamine kingpin, there was an instructive exchange. When the show's antihero, Walter White, was asked whether he "was in the meth business or the money business," he replied, "I'm in the empire business."
The same can be said of the DTOs, which are independent and competing entities -- not an association like OPEC. The sale of cocaine, heroin, marijuana, and meth remains extremely profitable. The U.S. Justice Department has put the cartels' U.S. drug trade at $39 billion annually. But the DTOs have diversified their business considerably, both to increase their profits and to exclude rivals from new sources of revenue. For example, they are dealing increasingly in pirated intellectual property, like counterfeit software, CDs, and DVDs. The most destructive new "product," however, is people. The cartels have built a multibillion-dollar business in human trafficking, including the shipment of both illegal immigrants and sex workers.
What the DTOs are really selling is logistics, much like Wal-Mart and Amazon.com. Wal-Mart was one of the first retailers to run its own fleet of trucks, providing tailored shipping at a lower cost that in turn gave the company an edge over its competitors. Similarly, Amazon may have started as a bookseller, but its dominance, as Fast Companyput it, is "now less about what it sells than how it sells," providing a distribution hub for all sorts of products. Drug-trafficking organizations are using the same philosophy to cut costs, better control distribution, and develop new sources of revenue.The one element of the U.S.-Mexico relationship that has received no shortage of attention is the border, yet the technology and money dedicated to enhancing security there have not been enough to thwart creative DTOs. The Sinaloa cartel, for example, has an extensive network of expertly constructed tunnels under the border, some featuring air-conditioning. (The workers who build the tunnels are frequently executed after the work is completed.) At the other extreme, traffickers have used catapults to launch deliveries from Mexico into the United States.
Logistics, then, are the DTOs' main source of revenue, and illegal drugs are but one of the products they offer. As the cartels' revenue streams become increasingly diversified, the drug trade will become less and less important. In fact, the prospect of the DTOs' selling their services to terrorists, say by transporting weapons of mass destruction across the U.S.-Mexico border, has begun to frighten analysts both inside and outside government. 

And from the Daily Beast:
The songs (Narcocorrido) sound like a cross between mariachi and polka and come from the norteño folk tradition. The first of these ballads go as far back as the 1930s, and the lyrics, while they’ve always dealt with drug traffickers and murderers, have, since the Mexican drug wars began in 2006, become exponentially swaggering in their brazen glorification of violence.Americans listen to gangster rap and love to watch mob flicks. We relish crime depicted well and expect a level of authenticity in the portrayal. It’s nothing out of the ordinary to hire mafia members as movie consultants. We might even prefer musicians with street cred. It seems that as consumers we demand the real thing, not some impostor. 
So from Breaking Bad a Narcocorrido about Heisenberg (Walter White)
I guess it's kind of like a Mexican version of


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